As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations. This lens comes in native mount for RF, L, E and Z mount systems, compatible with many of the full frame cinema cameras on the market. With a 1/4″ screw hole at the bottom, the lens can be mounted directly on the quick release plate to maintain the balance of the whole setup. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system. Save 100 with Full Frame Insurance & get free, unlimited certificates of insurance You save an average of 100 while protecting your gear and photography business with Full Frame Insurance. This lens looks super sleek as the whole barrel is built up of aluminium alloy. Also, the aperture ring is engineered stepless to offer smooth iris control. Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. When shooting wide open at T2.9 with the focus concentrating on the subject, you´ll get a shallow depth of field image with the subject in focus and other areas out of focus. Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are knowned for, adding a sprinkle of magic to your image. This lens, with a squeeze factor of 1.8 times, produces a more pronounced anamorphic look, such as the smoothly blurred backgrounds with more elongated oval bokeh. Full Frame Insurance Reviews - If you are looking for the best deals on insurance then we advise you to visit our service. The subject and the background appear to be compressed together onto the same plane. The extra reach allows you to frame the subject properly without having to stand very close to it. Equivalent to a 75mm horizontally, it is considered a great choice for portraits, weddings and products etc. This lens performs well optically with high sharpnes and low distortion. The 135 mm focal length has a shallower depth of field, smoother blurred backgrounds, and more excellent forground separation than other focal lengths in the lineup. The widescreen images can be cropped to different aspect ratios depending on your needs. When the sensor is set at 16:9, you´ll end up with a much wider 3.2:1 aspect ratio. When Shoot in 4:3, it will yield a 2.4:1 aspect ratio. The sensor and processor also work together to greatly reduce rolling shutter and the sensor’s design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.īeyond the physical design just being compact, it’s also built to maximize efficiency and operability through the inclusion of an articulating 3.0″ touchscreen LCD, a removable shoe-mounted top handle with dual XLR mic inputs, and 5-axis mechanical image stabilization for smoother handheld recording.This lens features a 1.8 times squeeze factor. Benefitting color and tonal control, an S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources and there is also S-Log3/2 gamut support and 10-bit HLG for simple HDR productions. The sensor’s BSI design heightens clarity and sensitivity, with an expandable ISO 80-409600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Its 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) pairs with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The FX3 features all of the imaging attributes you’d expect from this class but sports a newly designed body that’s hand-holdable, with a streamlined and minimal profile, and has a “cage-free” design, indicating the ability to secure various accessories directly to the camera body. With a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the Sony FX3 Full-Frame Cinema Camera borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera.
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